Showing posts with label Yuzo Koshiro. Show all posts
Showing posts with label Yuzo Koshiro. Show all posts

Sunday, May 10, 2026

Poll Result: Patrons' Choice Topic for May 2026

Every month, Phantom River Stone holds a poll among our patrons to choose a topic for the blog in the coming month. After tallying the votes (including those carried over from previous months), the winning topic this time is:

"Composer Comments from the Shenmue Original Sound Track CD"

Released in March 2000, the Shenmue ~Chapter One: Yokosuka~ Original Sound Track included a booklet featuring commentary written by the composers themselves for each track on the album.

Shenmue Chapter One ~Yokosuka~: Original Sound Track

The comments provide a fascinating glimpse into the creation of Shenmue’s music, touching on everything from memories of research trips in China to the atmosphere the composers imagined while writing specific pieces.

The booklet also contains detailed composer credits, providing rare confirmation of which composers created many of Shenmue’s best-known pieces.

In this post, we'll translate the booklet commentary in full, along with composer information and scene screenshots showing where each piece is used in the game.

Coming soon to the blog!


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Wednesday, October 6, 2021

Mini-Interview with Shenmue Composers Yuzo Koshiro & Takenobu Mitsuyoshi | January 2000

A mini interview with Yuzo Koshiro and Takenobu Mitsuyoshi, two composers on the Shenmue project who were already known as legends in the gaming world at the time. This interview was translated from the January 2000 issue of the Japanese Dreamcast Magazine, published soon after the initial release of Shenmue in Japan.

The translation starts below.

Yuzo Koshiro and Takenobu Mitsuyoshi

Usually, only one or two people are in charge of the sound for a single game. However, Shenmue has more than 30 music team members involved. Some of you may have noticed the name of a legendary sound creator among them. Yuzo Koshiro. This legendary man has enchanted fans with the numerous famous songs he has composed for classic games of the past. Let's take a closer look at the secrets of the Koshiro sound that inhabits Shenmue!

About Yuzo Koshiro

Yuzo Koshiro is 32 years old. In the past, during Nihon Falcom*'s heyday, he developed sounds that made full use of FM sound generation for games such as Ys, Sorcerian, Dragon Slayer V, and Xanadu, and quickly gained a strong reputation among fans. His relationship with Sega began during the Mega Drive era when he established a sound that thrilled fans with The Super Shinobi and Bare Knuckle.** Ten years ago, that "Koshiro sound" was his trademark. Recently, after Vatlva and Culdcept, he has been stepping away from the sound business to focus on his work as senior managing director of Ancient Corp.

*[Switch] A Japanese video game developer of role-playing video games, most notably the Ys, The Legend of Heroes, and Trails series. The company was founded in 1981.
** Known as The Revenge of Shinobi and Streets of Rage respectively, outside Japan. 
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Wednesday, September 8, 2021

Poll Result: Patrons' Choice Topic for September 2021

Every month Phantom River Stone holds a poll among our patrons to choose a topic for the blog in the coming month. After tallying the votes (including accumulated votes from previous months), the winning topic for September 2021 is...

" Interview with Shenmue sound staff: Yuzo Koshiro, Takenobu Mitsuyoshi (January 2000)"

We will be translating an early magazine interview with two legendary music composers who were part of Shenmue's Sound team: Yuzo Koshiro and Takenobu Mitsuyoshi. Among the numerous games for which Yuzo Koshiro has composed music are the Ys series in the late 1980s and the Streets of Rage series in the 1990s, while Takenobu Mitsuyoshi has been composing for Sega games since the 1990s, including work on the Virtua Fighter series and the theme song for Daytona USA.


This interview was published in a January 2000 edition of the Japanese Dreamcast Magazine, soon after Shenmue's release in Japan.

Watch for it on the blog in the near future.

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Friday, January 8, 2021

Q&A With Composer Ryuji Iuchi: Fan Questions (Part 1/2)

Recently composer Ryuji Iuchi held a special end-of-year Shenmue-themed livestream for everyone on his YouTube channel, a fun two-hour session that was filled with live music performances and chat. Throughout the stream, Ryuji also answered questions from fans, with many having been submitted from overseas fans, via the Shenmue Dojo.

As there were people who were unable to join the livestream, Ryuji has kindly given his permission to translate the Q&A into English and share them here on the blog.

The translation begins from here.

Q: For musical pieces with lyrics, like Shenhua's Theme and Wish, were the lyrics written first, or added afterwards? If I recall correctly, in the case of Wish, Yu Suzuki requested a song that would be like First Love*...

* First Love was a best-selling song (and album of the same name) by Japanese-American singer-songwriter Hikaru Utada released in early 1999.

Ryuji Iuchi (RI): For both of these songs, I wrote the music first, and the lyrics were added in afterwards. For Wish, I remember that Yu Suzuki did ask for a song like First Love. The thought was that it would be great if it was something that could rank on Oricon [the Japanese music industry-standard singles popularity chart].

Q: Recently you've been creating a lot of music for TV programs. Are you credited in these, and if so, what kind of programs are they? Are they still being shown on TV?

RI: I'm credited in some of the programs, and not in others. I think the ones in which I'm credited have all finished showing now as far as I'm aware, but if you live in Japan, then you'll definitely be familiar with the programs in which my music has played. Many people may perhaps have heard it without realizing. Some of it is background music, but there is also theme music - however, in most cases uncredited. As well as TV, my music can also be heard elsewhere such as on the radio, or at soccer events and so on.

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